The subject of this paper is the Staging and reception of Držić's work through the eyes of young audience. Držić, as one of the most famous Croatian Renaissance comedians, still today, five hundred years after his life, in an interesting way leaves a mark on a number of generations with his works. Držić's works best described the Renaissance period in Dubrovnik, the hedonistic life of young people, the coexistence of citizens, work, their everyday life.In the first, theoretical part, through the theory and analysis of the work of cultural institutions of the City of Dubrovnik (House of Marin Držić, Marin Držić Theater, Dubrovnik Summer Festival) based on the period from 2014-2019., to see the frequency of staging Držić's works on the Dubrovnik stages, but also to see their entire work in approaching the young audience. The second part of the paper analyzes and describes the results of a research conducted at the University of Dubrovnik on a sample of 100 students. According to the analysis of the first part of the paper, the results were similar and it was shown that cultural nstitutions of the City of Dubrovnik make efforts to promote Držić's work and maintain the tradition of young people going to performances organized by these institutions.