The master thesis on Stylistic and technical characteristics of the historicism credenza includes theoretical and practical part. The theoretical part of the paper represents a review of history itself and the emergence of historicism in a social and then artistic context; on the circumstance of the development of neo-stylistic household during the 19th century caused by rapid industrial production development on the one hand and the Romantic and Passatist movement on the other; the relation of these two tendencies which have a direct influance in the development of the historicist movement. The main represented element is the transition from manual to industrial production and its impact in terms of changes in the furniture production, which showes the best on pieces from stylisic period of historicism. Then, the topic of historicism is elaborated, which includes basic stylistics and technical characteristics in order to facilitate the recognition of furniture styles. The practical part of the paper is a visual analysis of a preserved piece of furniture that is available in the depot of the Department of Art and Restoration. Practical part includes visual analysis, making drawings of structural and aesthetic solution of the historicism furniture and a conclusion about the types of materials and production techniques. This includes the types and manner of stacking veneer, the production of architectural decorative elements, the substitute materials used in the treatment of objects and the finishing touches that dominate the production of historicism furniture. In order to facilitate the solution of problems and damage in the conservation-restaoration profession, the most common problems that a conservator-restorer may encounter during the restoration of the historicism furniture are presented.