The subject of this diploma thesis is the creation of a copy of the tabernacle frame according to a model from the collection of the Victoria & Albert Museum in London. The theoretical part of the work provides an insight into the historical significance and stylistic features of Renaissance tabernacle frames, as well as the role of copyists in the restoration and conservation profession, which is based on the precise reproduction of historical art objects. The practical part of the work focuses on a detailed analysis of the original tabernacle and, along with a description of the construction plan, shows all the stages of the process of making a copy of the Renaissance tabernacle. Special emphasis is placed on the technical challenges that the author encountered during the creation, as well as on the methods by which these challenges were overcome, thus ensuring the authenticity and high quality of the final product.