prikaz prve stranice dokumenta Ikonografska interpretacija uz konzervatorsko-restauratorski zahvat neoklasicističke grafike
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undergraduate thesis
Ikonografska interpretacija uz konzervatorsko-restauratorski zahvat neoklasicističke grafike
2018. urn:nbn:hr:155:366126
Mozara, Helena
University of Dubrovnik
Department of Art and Restoration

Cite this document

Mozara, H. (2018). Ikonografska interpretacija uz konzervatorsko-restauratorski zahvat neoklasicističke grafike (Undergraduate thesis). Dubrovnik: University of Dubrovnik. Retrieved from https://urn.nsk.hr/urn:nbn:hr:155:366126

Mozara, Helena. "Ikonografska interpretacija uz konzervatorsko-restauratorski zahvat neoklasicističke grafike." Undergraduate thesis, University of Dubrovnik, 2018. https://urn.nsk.hr/urn:nbn:hr:155:366126

Mozara, Helena. "Ikonografska interpretacija uz konzervatorsko-restauratorski zahvat neoklasicističke grafike." Undergraduate thesis, University of Dubrovnik, 2018. https://urn.nsk.hr/urn:nbn:hr:155:366126

Mozara, H. (2018). 'Ikonografska interpretacija uz konzervatorsko-restauratorski zahvat neoklasicističke grafike', Undergraduate thesis, University of Dubrovnik, accessed 26 April 2024, https://urn.nsk.hr/urn:nbn:hr:155:366126

Mozara H. Ikonografska interpretacija uz konzervatorsko-restauratorski zahvat neoklasicističke grafike [Undergraduate thesis]. Dubrovnik: University of Dubrovnik; 2018 [cited 2024 April 26] Available at: https://urn.nsk.hr/urn:nbn:hr:155:366126

H. Mozara, "Ikonografska interpretacija uz konzervatorsko-restauratorski zahvat neoklasicističke grafike", Undergraduate thesis, University of Dubrovnik, Dubrovnik, 2018. Available at: https://urn.nsk.hr/urn:nbn:hr:155:366126

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Metadata
TitleIkonografska interpretacija uz konzervatorsko-restauratorski zahvat neoklasicističke grafike
Title (english)Iconographic interpretation with conservation-restoration of neoclasicistic graphic
AuthorHelena Mozara
MentorSandra Uskoković (mentor)
MentorTanja Dujaković (mentor)
Committee memberSandra Uskoković (predsjednik povjerenstva)
Committee memberTanja Dujaković (član povjerenstva)
Committee memberIvana Popović (član povjerenstva)
GranterUniversity of Dubrovnik
(Department of Art and Restoration)
Dubrovnik
Defense date and country2018-09-20, Croatia
Scientific / art field,
discipline and subdiscipline		FIELD OF ART
Interdisciplinary Fields of Art
Abstract
Završni rad sastoji se od dva dijela – teorijskog i praktičnog. Teorijski dio obrađuje povijest grafičke umjetnosti u Dalmaciji i šire u Hrvatskoj na temelju djela najpoznatijih umjetnika hrvatskog porijekla koji borave i djeluju u inozemstvu (većinom u Italiji). Navodit ću najznačajnija djela tijekom stoljeća te opisati pojedine grafičke tehnike koje su korištene. Uz povijest grafike ovaj rad bavi se povijesno-umjetničkom i ikonografskom interpretacijom grafičkog prikaza te usporedbom slike „Darijeva obitelji pred Aleksandrom“ Charlesa Le Bruna i grafike nepoznatog autora. Iako je tematika slika jednaka, što je i razlog usporedbe, očite su stilske razlike s obzirom na to da ona Charlesa Le Bruna pripada razdoblju baroka, a grafika nepoznatog autora primjer je neoklasicističke umjetnosti. Nadalje ću u radu pitanjem neoklasicističkog stila objasniti kako sam došla do zaključka da djelo pripada upravo tom razdoblju te će sve moje tvrdnje biti aplicirane na primjeru. Cjelokupni konzervatorsko-restauratorski zahvati i dokumentacija objašnjeni su na primjeru grafike.
Abstract (english)
Final work consists of two parts - theoretical and practical. The theoretical part deals with the history of graphic art in Dalmatia and beyond in Croatia based on the works of the most famous artists of Croatian origin who reside and work abroad (mostly in Italy). I will list the most significant works throughout the centuries and describe the particular graphic techniques that have been used. Along with the history of graphics, this work deals with the historical-artistic and iconographic interpretation of the graphic representation and by comparing the image of " The Family of Darius before Alexander" by Charles Le Brun and the graphics of an unknown author. Although the thematic of the picture is the same, which is the reason for comparison, there are obvious differences in style as Charles Le Brun belongs to the baroque period, and the figure of an unknown author is an example of neoclassical art. In the work of the neoclassical style I will explain how I came to the conclusion that the work belongs to this period and all my claims will be applied in the example. Overall conservation-restoration operations and documentations are explained in the graphic example.
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:155:366126
Study programmeTitle: Restoration and Conservation of Artefacts; specializations in: Wood, Paper, Textile, Metal, Ceramics
Course: Paper
Study programme type: university
Study level: undergraduate
Academic / professional title: sveučilišni/a prvostupnik/prvostupnica (bacccalaureus/baccalaurea) restauracije i konzervacije (sveučilišni/a prvostupnik/prvostupnica (bacccalaureus/baccalaurea) restauracije i konzervacije)
Type of resourceText
File originBorn digital
Access conditionsAccess restricted to students and staff of home institution
Terms of useLicence In copyright icon
Created on2018-09-21 07:23:27