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master's thesis
Slojeviti identitet umjetničkog djela: što restauriramo i zašto
2020. urn:nbn:hr:155:377097
Prkačin, Katarina
University of Dubrovnik
Department of Art and Restoration

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Prkačin, K. (2020). Slojeviti identitet umjetničkog djela: što restauriramo i zašto (Master's thesis). Dubrovnik: University of Dubrovnik. Retrieved from https://urn.nsk.hr/urn:nbn:hr:155:377097

Prkačin, Katarina. "Slojeviti identitet umjetničkog djela: što restauriramo i zašto." Master's thesis, University of Dubrovnik, 2020. https://urn.nsk.hr/urn:nbn:hr:155:377097

Prkačin, Katarina. "Slojeviti identitet umjetničkog djela: što restauriramo i zašto." Master's thesis, University of Dubrovnik, 2020. https://urn.nsk.hr/urn:nbn:hr:155:377097

Prkačin, K. (2020). 'Slojeviti identitet umjetničkog djela: što restauriramo i zašto', Master's thesis, University of Dubrovnik, accessed 23 April 2024, https://urn.nsk.hr/urn:nbn:hr:155:377097

Prkačin K. Slojeviti identitet umjetničkog djela: što restauriramo i zašto [Master's thesis]. Dubrovnik: University of Dubrovnik; 2020 [cited 2024 April 23] Available at: https://urn.nsk.hr/urn:nbn:hr:155:377097

K. Prkačin, "Slojeviti identitet umjetničkog djela: što restauriramo i zašto", Master's thesis, University of Dubrovnik, Dubrovnik, 2020. Available at: https://urn.nsk.hr/urn:nbn:hr:155:377097

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Metadata
TitleSlojeviti identitet umjetničkog djela: što restauriramo i zašto
Title (english)The Layered Identity od Artwork: On what we Restore and Why
AuthorKatarina Prkačin
MentorSanja Žaja Vrbica (mentor)
Committee memberSanja Žaja Vrbica (predsjednik povjerenstva)
Committee memberAlen Brković (član povjerenstva)
Committee memberTanja Dujaković (član povjerenstva)
GranterUniversity of Dubrovnik
(Department of Art and Restoration)
Dubrovnik
Defense date and country2020-09-29, Croatia
Scientific / art field,
discipline and subdiscipline		FIELD OF ART
Fine Arts
Conservation and Restoration
Abstract
Koje aspekte predmeta vrijedi restaurirati ili konzervirati? Ako predmet ima slojevit identitet, kako odabrati i opravdati ispravan restauratorski postupak? Ovaj rad istražuje što restauriramo i zašto. U radu je opisana tradicionalna konzervatorska perspektiva na metodologiju i etiku na kojoj se temelji struka, te filozofska perspektiva vrijednosti restauracije u usporedbi s ljudskim životom. Naposljetku ovaj rad predložit će interpretaciju feminističke etike brige kao prijedlog etičke teorije na kojoj bi se mogla temeljiti profesija restauracije i konzervacije.
Abstract (english)
What aspects of an object make it worthy of restoration or conservation? When an object has a complex identity, how does one identify and justify a given restoration procedure? This thesis investigates what we conserve and restore, and why. It begins with the traditional conservator's perspective on method and the ethics underpinning it, and then turns to a philosophical perspective on the value of restoration as compared to the value of human life. Finally, the thesis proposes an interpretation of feminist ethics of care to provide an ethical foundation for the profession of restoration and conservation.
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:155:377097
Study programmeTitle: Conservation - Restoration: Wood, Paper, Textiles, Metals and Ceramics; specializations in: Wood, Paper, Textile, Metal, Ceramics
Course: Wood
Study programme type: university
Study level: graduate
Academic / professional title: magistar/magistra restauracije i konzervacije (magistar/magistra restauracije i konzervacije)
Type of resourceText
File originBorn digital
Access conditionsAccess restricted to students and staff of home institution
Terms of useLicence In copyright icon
Created on2020-10-27 08:26:34