In this work, I will deal with the conservation and restoration interventions on the liturgical throne from the 19th century. The throne is mostly made of carved, profiled, gilded and polychrome wood, but it also contains other materials such as fabric, gypsum and pressed wood. During the conservation and restoration operations on the throne, manufacturing technologies such as profiled, polychromed, gilded, lacquered and carved wood were used. In 2019, the Department of Art and Restoration of the University of Dubrovnik and the Monastery of the Sisters of Mercy (Anćele) in Dubrovnik established joint cooperation on the restoration of the monastery's art collection. Thus, during the renovation of the monastery premises, they entrusted the care of the so far lesser-known art collection to the University of Dubrovnik. The throne on which the conservation-restoration procedure was carried out and which is presented in detail in this work originates from that collection. The work consists of a general part in which the use of the throne in the liturgy of Western Christianity will be tried to be explained stylistically, symbolically and iconographically, and the development of the throne from the templates of classical architecture will be reviewed using a comparative method, especially on the example of the throne that is the subject of this work. This thesis presents the results of a two-year conservation-restoration project on the liturgical throne, in which traditional methods and materials were used, with the exception of the use of modern materials.